View previous topic :: View next topic |
Author |
Message |
BAM Junior Member
Joined: 03 Dec 2010 Posts: 1
|
Posted: Sun Dec 05, 2010 11:00 am Post subject: Violin wear pattern |
|
|
We have an old family violin from the late 1800s and we know nothing about our ancestor or his playing. There is a plate on the violin that states it was given "in token of esteem" from a town in Poland. We believe our ancestor came from Scotland, so our ancestor may have been a fiddler or a classical violinist. The violin shows heavy signs of use and we wonder if the wear pattern might indicate whether our ancestor was a fiddler or a violinist. Can anyone help?
Thank you.
Barb |
|
Back to top |
|
|
Chad48309 Member
Joined: 26 Sep 2010 Posts: 110 Location: Michigan
|
Posted: Sun Dec 05, 2010 1:12 pm Post subject: |
|
|
I don't think anyone is qualified to make a distinction like that, if one is even possible. _________________ -C.S. |
|
Back to top |
|
|
Jack London Junior Member
Joined: 19 Dec 2007 Posts: 22
|
Posted: Sun Dec 05, 2010 2:32 pm Post subject: |
|
|
The reason it may not be possible is that wear patterns are very often faked, sometimes well and sometimes not so well. |
|
Back to top |
|
|
Chad48309 Member
Joined: 26 Sep 2010 Posts: 110 Location: Michigan
|
Posted: Sun Dec 05, 2010 3:25 pm Post subject: |
|
|
Jack London wrote: | The reason it may not be possible is that wear patterns are very often faked, sometimes well and sometimes not so well. |
There's no really clear-cut distinction between wear from playing fiddle or classical style, either. I suppose if the end-button and around the endblock area was worn in, it would indicate often playing the rare fiddle style of bracing the end of the violin against the chest/bicep, but I can't think of anything else. _________________ -C.S. |
|
Back to top |
|
|
Jack H. Super Member
Joined: 24 Mar 2007 Posts: 346 Location: Israel
|
Posted: Sun Dec 05, 2010 6:07 pm Post subject: |
|
|
The only difference I could think about is the amount of rosin left on the top of the violin.... |
|
Back to top |
|
|
Chad48309 Member
Joined: 26 Sep 2010 Posts: 110 Location: Michigan
|
Posted: Sun Dec 05, 2010 6:20 pm Post subject: |
|
|
Jack H. wrote: | The only difference I could think about is the amount of rosin left on the top of the violin.... |
An irresponsible classicist blowing through caprices all day could do the same thing, though. _________________ -C.S. |
|
Back to top |
|
|
Mat Roop Senior Member
Joined: 24 Mar 2007 Posts: 911 Location: Wyoming Ontario
|
Posted: Sun Dec 05, 2010 7:42 pm Post subject: |
|
|
Do you still have the old bridge... its shape might be a good clue.
A fiddler likes a lower and flatter bridge.
If the top of the bridge is close to the shape of the arc of a 48 mm radius circle, then likely a fiddler. If arc is close to 42 mm likely classical. Old strings might be a clue also.
Cheers, Mat |
|
Back to top |
|
|
L P Reedy Super Member
Joined: 02 Apr 2009 Posts: 276 Location: Brevard, NC
|
Posted: Sun Dec 05, 2010 7:46 pm Post subject: |
|
|
A violinist playing a lot in higher positions would generate more wear on the edges, rib and top of the right upper bout than MOST fiddlers. But that's not definitive. |
|
Back to top |
|
|
Mat Roop Senior Member
Joined: 24 Mar 2007 Posts: 911 Location: Wyoming Ontario
|
Posted: Sun Dec 05, 2010 7:50 pm Post subject: |
|
|
L P Reedy wrote: | A violinist playing a lot in higher positions would generate more wear on the edges, rib and top of the right upper bout than MOST fiddlers. But that's not definitive. |
Good point... So that should show up also on fingerboard wear...
Cheers, Mat |
|
Back to top |
|
|
|