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My latest instrument, "Fanny Mendelsohn"

 
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MANFIO
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Joined: 11 Apr 2007
Posts: 458
Location: Sao Paulo

PostPosted: Wed Aug 26, 2009 9:23 pm    Post subject: My latest instrument, "Fanny Mendelsohn" Reply with quote

Hi! This is my latest instrument, a 16 inches viola which I named "Fanny Mendelsohn", Felix's sister, she was also a fine composer. Thanks again to Andrès Lepage for the photos and for test driving the instrument.

Here we go:


































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http://www.flickr.com/photos/7875988@N02/with/464604020/
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violinarius
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Joined: 14 Dec 2007
Posts: 171

PostPosted: Thu Aug 27, 2009 9:34 am    Post subject: Reply with quote

Very nice work! Thanks for letting us see this.

Can you comment on how you treat the bare wood on the neck.
Is it the same as all the rest of the instrument?
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MANFIO
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Joined: 11 Apr 2007
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Location: Sao Paulo

PostPosted: Thu Aug 27, 2009 1:06 pm    Post subject: Reply with quote

Thanks! I apply some tea to the neck, perhaps some tea with 4% sodium nitrite, followed by UV box. Then it get some dirt while I'm varnishing the instrument. Then I follow with linseed oil. The linseed oil seems to foster the UV box effect, sometimes it get a bit darker than I want.
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Mikes
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Joined: 28 Mar 2007
Posts: 80
Location: Vermont, USA

PostPosted: Thu Aug 27, 2009 6:16 pm    Post subject: Reply with quote

Always a treat Manfio! This one looks much wider in the bouts what effect does that have?
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Dave Chandler
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Joined: 31 Oct 2007
Posts: 691
Location: Mt Mitchell in North Carolina

PostPosted: Sun Aug 30, 2009 1:09 pm    Post subject: Latest Reply with quote

Manfio:

You said "Then it get some dirt while I'm varnishing the instrument. Then I follow with linseed oil. "

Can you explain the dirt? What do you do with the dirt, are you simply rubbing it into the pores of the wood on the neck?

As an aside -- I've read one way to smooth the neck is with a piece of rounded steel. I did this on my most recent, I take the back side of one of my gouges and rub the wood vigorously, it seems to close the pores of the wood and makes it smooth as glass. Maybe you'all are doing this already (parden my NC mountain twang).
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MANFIO
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Joined: 11 Apr 2007
Posts: 458
Location: Sao Paulo

PostPosted: Sun Aug 30, 2009 9:28 pm    Post subject: Reply with quote

Thanks! Yes, this model is smaller (40.8, 16 inches) but I kept the same width of my big models to get the sound I want, so they are really "fat".

About the neck. The bare wood of the neck gets some of the dirt of our hands while we are manipulating the instrument, it helps to develop a colour and an age appeareance, the dirt will serve only to give colour to the neck, but it comes from our hands.

I use fine sandpaper on the neck. Yes, sometimes I burnish the neck/fingerboard region with a burnisher.
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caeman
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Joined: 11 Dec 2008
Posts: 143

PostPosted: Mon Aug 31, 2009 8:36 am    Post subject: Reply with quote

Now that is a pretty instrument. Good show!
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MANFIO
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Joined: 11 Apr 2007
Posts: 458
Location: Sao Paulo

PostPosted: Sun Sep 06, 2009 2:03 pm    Post subject: Reply with quote

Thanks! Here a small video during the "test drive", with Andrès Lepage:

http://www.ipernity.com/doc/91953/5899950/
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Leif Luscombe
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Joined: 19 Mar 2007
Posts: 126
Location: Mount Elgin, Ontario, Canada

PostPosted: Thu Sep 10, 2009 10:57 am    Post subject: Reply with quote

Thanks for sharing. Your work is admired by all here.
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MANFIO
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Joined: 11 Apr 2007
Posts: 458
Location: Sao Paulo

PostPosted: Mon Sep 21, 2009 7:23 am    Post subject: Reply with quote

Thanks Leif! I'm just back from a trip to NYC.
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